Black Male Fiction and the Legacy of Caliban by James W. Coleman

By James W. Coleman

With The Tempest's Caliban, Shakespeare created an archetype within the glossy period depicting black males as slaves and savages who threaten civilization. As modern black male fiction writers have attempted to loose their matters and themselves from this legacy to inform a narrative of liberation, they generally unconsciously retell the tale, making their heroes into modern day Calibans. Coleman analyzes the fashionable and postmodern novels of John Edgar Wideman, Clarence significant, Charles Johnson, William Melvin Kelley, Trey Ellis, David Bradley, and Wesley Brown. He lines the Caliban legacy to early literary impacts, essentially Ralph Ellison, after which deftly demonstrates its modern manifestations. This enticing learn demanding situations those that argue for the releasing probabilities of the postmodern narrative, as Coleman finds the pervasiveness and effect of Calibanic discourse. on the center of James Coleman's learn is the perceived historical past of the black male in Western tradition and the normal racist stereotypes indigenous to the language. Calibanic discourse, Coleman argues, so deeply and subconsciously affects the texts of black male writers that they're not able to dispose of the oppression inherent during this discourse. Coleman desires to switch the conception of black male writers' fight with oppression by way of exhibiting that it really is their particular fight with language. Black Male Fiction and the Legacy of Caliban is the 1st e-book to investigate a considerable physique of black male fiction from a primary point of view.

Show description

Read or Download Black Male Fiction and the Legacy of Caliban PDF

Similar postmodernism books

The Moon in Its Flight: Stories


Bearing his trademark stability among exquisitely distinctive narration, ground-breaking shape, and sharp perception into sleek lifestyles, Gilbert Sorrentino’s first-ever selection of tales spans 35 years of his writing occupation and comprises either new tales and people who extended and reworked the panorama of yank fiction after they first seemed in such magazines and anthologies as Harper’s, Esquire, and the easiest American brief Stories.

In those grimly comedian, unsentimental stories, the always-memorable characters dive headlong into the desert of city tradition, searching out banal perversions, complicated paintings with the artwork scene, mistaking lust for romance, and letting petty aspirations get the simplest of them. this can be a global the place the yank dream is embodied within the moonlit cocktail hour and innocence passes at a breakneck pace, speedily turning into a nostalgia-ridden cliché. As Sorrentino says within the name tale, “art can't rescue anyone from anything,” yet his tales do supply a few salvation to every people by means of finding wish, humor, and sweetness amidst a triumphing wind of cynical despair.

Gilbert Sorrentino has released over 20 books of fiction and poetry, together with the vintage Mulligan Stew and his most up-to-date novel, Little on line casino, which was once shortlisted for the 2003 PEN/Faulkner Award. After 20 years at the college at Stanford college, he lately lower back to his local Brooklyn.

Victorian Afterlife: Postmodern Culture Rewrites the Nineteenth Century

Literary Theory/Cultural stories A foundational examine modern makes use of of the Victorian and the presence of the previous in postmodern tradition. Celebrated motion pictures by means of Francis Ford Coppola, Jane Campion, and Ang Lee; best-selling novels by means of A. S. Byatt and William Gibson; revivals of Oscar Wilde, Lewis Carroll's Alice, and mawkish images; special effects and cyberpunk performances: modern tradition, low and high, has fallen in love with the 19th century.

After Southern Modernism: Fiction of the Contemporary South

The literature of the modern South may most sensible be understood for its discontinuity with the literary earlier. At odds with traditions of the Southern Renascence, southern literature of this present day sharply refutes the Nashville Agrarians and stocks few of Faulkner's and Welty's issues approximately position, neighborhood, and heritage.

Hicks, Tribes, and Dirty Realists: American Fiction after Postmodernism

Eschewing allegiance to specific literary activities, Robert Rebein deals a intelligent topographical map of latest American fiction. Rebein argues that a lot literary fiction of the Nineteen Eighties and 90s represents a successful, if tortured, go back to questions about position and the person who encouraged the works of Hawthorne, Melville, Twain, Faulkner, and different giants of yank literature.

Extra info for Black Male Fiction and the Legacy of Caliban

Sample text

The lost boy? It could be. Who killed him? It was a dream. Well make up something, then. Wake up and make up. Don’t leave me hanging. The dream stops there. Everything surrounding it’s gone. I want to know the rest, too. Thought telling you might help. But it doesn’t. I feel myself beginning to invent. Filling in the blanks but the blanks are real. Part of the dream. Dream? Yeah. Shit, man. (93–94) At the end of part 1, Cudjoe cannot invent a liberating fiction that gives 26 / Black Male Fiction and the Legacy of Caliban answers and makes connections; the nightmare of oppression, which sounds too real to Timbo to be unreal, to be a dream, remains.

Caliban desired the flesh. She descended upon him like the New England schoolmarms with their McGuffey’s Readers. . Caliban, witches whelp that he was, had a better idea. Her need, his seed joined. An island full of Calibans. He didn’t wish to be run through her copy machine. Her print of goodness stamping out his shape, his gabble translated out of existence. No thanks, ma’am. But I will try some dat poontang. Some that ooh la la, oui, oui goodness next to your pee. Which suggestion she couldn’t abide.

An interchangeability that is also dependence: the loss of one is loss of both. I breathe into the space separating me from my son. I hope the silence will be filled for him as it is filled for me by hearing the nothing there is to say at this moment. I hope saying nothing is enough to grip the silence, twist it to our need. Which is holding on, not letting go. My breath in him. This temporary contact fallen into silence, into listening for the other’s silence. Not because it is enough but because it’s all we have.

Download PDF sample

Rated 4.14 of 5 – based on 39 votes