Illicit Joyce Of Postmodernism: Reading Against The Grain by Kevin Dettmar

By Kevin Dettmar

For almost 3 quarters of a century, the modernist method of analyzing has been the single means of analyzing James Joyce—useful, certain, and robust yet, like several frameworks, constrained. This booklet takes a jump throughout these limits into postmodernism, the place the pleasures and chances of an unsuspected Joyce are but to be came across.     Kevin J. H. Dettmar starts off via articulating a stylistics of postmodernism drawn from the major texts of Roland Barthes, Mikhail Bakhtin, and Jean-François Lyotard. learn inside of this framework, Dubliners emerges from in the back of its modernist facade because the earliest manufactured from Joyce’s proto-postmodernist sensibility. Dettmar exposes those tales as stories of puzzle, now not mastery, regardless of the modernist earmarks of considerable symbols, allusions, and epiphanies. Ulysses, too, has been inadequately served through modernist critics. the place they've got emphasised the work’s inventive Homeric constitution, Dettmar focuses in its place upon its seams, these issues at which the narrative willfully, joyfully overflows its self-imposed bounds. eventually, he reads A Portrait of the Artist and Finnegans Wake as much less playful, much less bold texts—the first restricted via the valuable, would-be poet at its middle, the final marking a stunning retreat from the consistently evolving, vertiginous event of Ulysses.     briefly, The Illicit Joyce of Postmodernism explores what occurs while the extra-literary pronouncements of Eliot, Pound, and Joyce, in addition to Joyce’s early critics, are put aside and a brand new, “unauthorized” Joyce is permitted to seem. This postmodern Joyce, extra willful and not more simply compartmentalized, stands as a counterpoint to the modernist Joyce who has maybe turn into too commonplace.

Show description

Read Online or Download Illicit Joyce Of Postmodernism: Reading Against The Grain PDF

Similar postmodernism books

The Moon in Its Flight: Stories


Bearing his trademark stability among exquisitely exact narration, ground-breaking shape, and sharp perception into sleek existence, Gilbert Sorrentino’s first-ever selection of tales spans 35 years of his writing profession and comprises either new tales and those who accelerated and reworked the panorama of yank fiction after they first seemed in such magazines and anthologies as Harper’s, Esquire, and the easiest American brief Stories.

In those grimly comedian, unsentimental stories, the always-memorable characters dive headlong into the barren region of city tradition, looking for banal perversions, complicated paintings with the artwork scene, mistaking lust for romance, and letting petty aspirations get the simplest of them. this can be a international the place the yank dream is embodied within the moonlit cocktail hour and innocence passes at a breakneck velocity, rapidly changing into a nostalgia-ridden cliché. As Sorrentino says within the name tale, “art can't rescue anyone from anything,” yet his tales do provide a few salvation to every folks via finding wish, humor, and wonder amidst a triumphing wind of cynical despair.

Gilbert Sorrentino has released over 20 books of fiction and poetry, together with the vintage Mulligan Stew and his most recent novel, Little on line casino, which was once shortlisted for the 2003 PEN/Faulkner Award. After twenty years at the college at Stanford college, he lately lower back to his local Brooklyn.

Victorian Afterlife: Postmodern Culture Rewrites the Nineteenth Century

Literary Theory/Cultural reviews A foundational examine modern makes use of of the Victorian and the presence of the prior in postmodern tradition. Celebrated movies via Francis Ford Coppola, Jane Campion, and Ang Lee; best-selling novels via A. S. Byatt and William Gibson; revivals of Oscar Wilde, Lewis Carroll's Alice, and mawkish images; special effects and cyberpunk performances: modern tradition, low and high, has fallen in love with the 19th century.

After Southern Modernism: Fiction of the Contemporary South

The literature of the modern South may well top be understood for its discontinuity with the literary prior. At odds with traditions of the Southern Renascence, southern literature of at the present time sharply refutes the Nashville Agrarians and stocks few of Faulkner's and Welty's matters approximately position, neighborhood, and historical past.

Hicks, Tribes, and Dirty Realists: American Fiction after Postmodernism

Eschewing allegiance to specific literary events, Robert Rebein deals a sensible topographical map of latest American fiction. Rebein argues that a lot literary fiction of the Eighties and 90s represents a effective, if tortured, go back to questions on position and the person who encouraged the works of Hawthorne, Melville, Twain, Faulkner, and different giants of yankee literature.

Additional info for Illicit Joyce Of Postmodernism: Reading Against The Grain

Example text

Hence, the chameleonlike changes in his nomenclature and thought can be seen not as the byproduct of methodological sloppinessthough there is perhaps an element of that as wellbut rather as a symptom, or better the sign, of a joyously postmodern celebration of the possibilities inherent in language. Mikhail Bakhtin Though written in the Soviet Union in the 1930s through the 1960s, Mikhail Bakhtin's work in linguistics and poetics did not become known to Western readers until the late 1960sand then through the writing, in part, of Barthes's student, friend, and colleague (fellow semiotician and Tel Quel member) Julia Kristeva who, happily, reads Russian.

The inherent features of carnival that he underscores are its emphatic and purposeful 'heteroglossia' (raznogolosost') and its multiplicity of styles (mnogostil'nost'). Thus, the carnival principle corresponds to and is indeed a part of the novelistic principle itself. . Since the novel represents the very essence of life, it includes the carnivalesque in its properly transformed shape" (R x). Bakhtin begins Rabelais by claiming that Rabelais is "the least popular, the least understood and appreciated" of all great writers of world literature (R 1).

29 Since the modernists were still personae non grata in the Soviet Union during the period Bakhtin was writing the bulk of his work, his argument was necessarily couched in a celebration of the proletariat spirit in Rabelais and Dostoyevskythe anarchic principle of the carnival which, when it came in contact with literary texts, created a new genre: the carnivalized novel. For Bakhtin, the novel and the carnivalesque are almost synonymous. Just as the carnivalesque celebrates the gay relativity of all life, so the novel proclaims the relativity of all "truth," and the inherent fallibility of all discourse.

Download PDF sample

Rated 4.99 of 5 – based on 23 votes