Modern Expressions: Creating Fabulous and Fashionable by Fernando Dasilva

By Fernando Dasilva

Modern Designs. awesome Results.

It's all in regards to the jewellery, dah-ling! fashion designer Fernando Dasilva places the highlight on haute couture with necklaces, bracelets and rings that exude attractiveness and radiate high fashion. Drawing suggestion from vivid colour palettes, 80s paintings deco and fashion-forward findings, those items won't simply improve your wardrobe–they'll make it!

• 25 dressmaker tasks that fuse well known findings, comparable to crystals, gems and heavy chain, with distinct and unique parts, comparable to sponge beads, puzzle beads and crystal yarn.
• 15 style sketches convey you not only easy methods to put on the items yet absolutely rock them. Pair those bold items with an outfit that's already on your closet with easy-wear tips.
• priceless ideas and fashion designer suggestions make it effortless to create funky, stylish and exceptional pieces!

Create your personal number of glamorous items, and stroll (and rock) your individual runway!

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Extra resources for Modern Expressions: Creating Fabulous and Fashionable Jewelry with Easy-to-Find Elements

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This paper is a summary of the more detailed publication of some of the sites by Gaitzsch et al. (2000); see also the short critical note by Nenna (2006, 118–119, no. 233). HA 127 and HA 488 were later discoveries, and in 2006 a new site with glassworking remains, Düren ‘Im großen Tal’, was discovered about 5km south-west of HA 500. There had been agricultural activity in the region since the 1st century AD but in the 3rd century alterations to the climate and political instability caused economic changes.

Annales du Service des Antiquités de l’Égypte 40, 845–848. Fontaine, S. and Foy, D. (2007) L’épave Ouest-Embiez 1, Var, Le commerce maritime du verre brut et manufacturé en Méditerranée occidentale dans l’Antiquité. Revue Archéologique de Narbonnaise 40, 235–265. Foy, D. -D. (2001a) Et vogue le verre! In D. -D. Nenna (eds) Tout Feu, Tout Sable: Mille Ans de Verre Antique dans le Midi de la France, Exh. , Musée d’Histoire de Marseille, Juin–décembre 2001, 100–112. Aix-en-Provence, Musées de Marseille, Éditions Édisud.

Chamber and the raising or the moving of the “clean” zone (see below). The information we can draw out from the excavation of each furnace is fragmentary, but put together it helps us to propose a reconstruction of the type of furnace in use in Beni Salama. The plan of the furnaces The furnaces are composed of three principal units: the firing-chamber, the tank, and a “clean” zone paved with bricks outside the furnaces, linked with ramps for bringing raw materials to the furnaces. Firing-chambers and tanks, in all cases, are orientated in the same north-west to south-east direction and open towards the predominant wind coming from the north-west.

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