Nijura - Das Erbe der Elfenkrone by Jenny-Mai Nuyen

By Jenny-Mai Nuyen

Über den Marschen von Korr liegt dichter Nebel. So kommt es, dass die Moorelfen den verhüllten Besucher ihres Dorfes erst spät erkennen. Der rätselhafte Mann gibt sich als Gesandter der Freien Elfen der Dunklen Wälder aus, und so schöpft niemand Verdacht, als der Fremde -- wenn auch in gebrochenem Elfisch -- eine Unterredung mit dem König der Moorelfen verlangt. Warum auch? Der König der Moorelfen ist im Besitz der Krone Elrysjar, die ihn unverwundbar macht. additionally lassen seine Untertanen den Unbekannten in die Hütte treten. Als er heraustritt, lässt er die Kapuze fallen. Es ist ein Mensch, und er trägt Elrysjar auf seinem Haupt: ein ungeheuerlicher Frevel! Die Moorelfen aber sind verdammt, dem neuen Herrscher bedingungslos zu folgen. Schon scharrt der Mensch in seiner Vermessenheit ein Heer Grauer Krieger um sich, um die Macht über die gesamte Welt zu erlangen. Nur eine Waffe kann ihm Einhalt gebieten: ein merkwürdiges Messer, dass im Wald auf die Halbelfe Nill gewartet hat. Als "Nijura" ist Nill bestimmt, dem grausamen Menschen entgegenzutreten. Gemeinsam mit dem Menschenjungen Scapa und dem Elfenprinzen Kaveh nimmt sie die Herausforderung an ....

Das Romandebüt Nijura. Das Erbe der Elfenkrone der deutsch-vietnamesischen Autorin Jenny-Mai Nuyen ist ein Phänomen. Denn seine Autorin ist gerade einmal 18 Jahre alt. Zwei Jahre hat Nuyen, die inzwischen an der big apple college movie studiert, an ihrem Epos geschrieben, und die brillante Reife des Buchs ist wohl nur darauf zurück zu führen, dass das Fantasy-Genre eines ist, das mit allerlei tradierten Mustern, Versatzstücken von Mythen und einem festgelegten Repertoire an Figuren die bestmögliche Wirkung zu erzielen vermag. Natürlich hat sich auch Nuyen durch die ganze Parallelwelt der Elfen, Irrlichter, Gnomen, Riesen und Drachen hindurch gelesen. Und trotzdem besteht die Kunst ja gerade darin, wieder etwas völlig neues aus dem Hexenkessel bekannter Zutaten zu zaubern. Mit Nijura. Das Erbe der Elfenkrone ist Nuyen dies auf jeden Fall gelungen. Andere Vertreter des Genres mögen älter sein. Aber Nuyen ist deutlich besser als ein Großteil von ihnen. Für Leser ab zwölf Jahren. --Isa Gerck

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On cold nights the covers would vanish just as I fell asleep, while on other nights I would awake either to loud noises in another room or to the sensation of someone pinching my toes. I was certain the house was haunted, and after much work to try to dispel the creature, I determined that magic was to no avail. In desperation I asked a local priest I knew to perform an exorcism. He complied, with the only result being that the night after he sprinkled holy water around the house, I was sprinkled in my bed by water that most likely came from a rather dirty horse trough.

I thought I could see, far ahead of me, something shine with a pale light. I moved forward, hearing the sound of the boat moving away behind me. At length I came to the source of the glow. A wall of ice, which shone softly with no light upon it, closed up the way ahead. 29 So I brought out my lute, and the folk called for the songs they best loved, as folk everywhere do. The inn was crowded with many who did not seem travelers, but villagers. The wine had flowed freely since before my arrival, I could see.

Within these realms, glamour that is seen through remains. Any glamour that is pierced while it is in the faerie realms appears in its true form when such realms are left behind; any glamour that is not pierced may remain when the mortal world is again reached. Only fools try to pierce the glamour surrounding a faerie. If this is done, one of two things occurs. Either the person seeing through the faerie can no longer sense the faerie’s presence (but can still be affected by the faerie), or the person sees the faerie’s ‘true’ shape.

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