By Zachary Rawlins
Contributor note: Xi Lu (Illustrator)
ISBN note: ISBN couldn't be chanced on. ASIN: B006NMSIM6
Preston Tauschen is a liar. April Ersten is a critically afflicted genius. Holly Diem is a morally-ambiguous witch. Sumire Iwakura is an invulnerable hero. Jenny Frost is a homeless psychotic. Professor Dawes is a student learning unreadable books. Joshua Fulton is an agoraphobic hacker.
Unless, in fact, they're all whatever else entirely.
Welcome to The Kadath Estates, an house development in a urban on the finish of every little thing, an island of balance in a crumbling global. in the course of a urban packed with determined humans and oppressive structure, of half-remembered pasts and a destiny nobody care to consider. A urban the place the moon is an item of worry, haunted by means of rumors of odd monsters and elder gods, and laid low with the probably random violence of a anonymous cult.
Preston and April are only hoping for a spot to conceal from their enemies, someplace to heal and relaxation earlier than they go back to their flight with no vacation spot. What they locate on the Kadath Estates is anything some distance past that, whatever open air the world of past event. within the Kadath Estates and their weird and wonderful population, Preston and April locate anything like magic.
Unless, in fact, it isn’t that at all.
The first in The Unknown Kadath Estates trilogy by Zachary Rawlins, writer of The valuable sequence, that includes illustrations via artist Xi Lu, Paranoid Magical Thinking is a warped combination of the Cthulhu Mythos, city myth, and black humor within the kind of a jap mild novel.
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Additional resources for Paranoid Magical Thinking (Unknown Kadath Estates, Book 1)
On cold nights the covers would vanish just as I fell asleep, while on other nights I would awake either to loud noises in another room or to the sensation of someone pinching my toes. I was certain the house was haunted, and after much work to try to dispel the creature, I determined that magic was to no avail. In desperation I asked a local priest I knew to perform an exorcism. He complied, with the only result being that the night after he sprinkled holy water around the house, I was sprinkled in my bed by water that most likely came from a rather dirty horse trough.
I thought I could see, far ahead of me, something shine with a pale light. I moved forward, hearing the sound of the boat moving away behind me. At length I came to the source of the glow. A wall of ice, which shone softly with no light upon it, closed up the way ahead. 29 So I brought out my lute, and the folk called for the songs they best loved, as folk everywhere do. The inn was crowded with many who did not seem travelers, but villagers. The wine had flowed freely since before my arrival, I could see.
Within these realms, glamour that is seen through remains. Any glamour that is pierced while it is in the faerie realms appears in its true form when such realms are left behind; any glamour that is not pierced may remain when the mortal world is again reached. Only fools try to pierce the glamour surrounding a faerie. If this is done, one of two things occurs. Either the person seeing through the faerie can no longer sense the faerie’s presence (but can still be affected by the faerie), or the person sees the faerie’s ‘true’ shape.